Send me your pillow
Master
62-2654
Location/Date
Universal Recording Corporation
Chicago, IL, 1962
Vee-Jay 575
Lineup
John Lee Hooker, vcl/gtr; Unknown, saxes; Unknown, pno; Unknown, gtr; Unknown, bs; Unknown, dms
Produced by
Calvin Carter
Stateside SS 341, Vee‑Jay 575
LP
Bellaphon BLS5523, Charly CLYCAR 298, Joy Records JOYS 147, Tradition LP 2089, Trip TLX‑9504, Up Front UPF 104, Vee‑Jay DS 7006, Vee‑Jay LP 1058, Vee‑Jay VJS 2‑1004, Vinyl Lovers 6785420, Vinyl Lovers 6785447, WaxTime 500 408738
CD
Charly CBMCD016, Charly CD 170, Charly CD DIG 5, Charly CDGR 151, Charly CDGR 298, Charly CDRB 10, Charly CPCD 8242‑2, Charly CR RED 6, Charly SNAJ 705, Charly VBCD 301, Collectables COL 0108, Documents 600258, Fruit Tree FT821, Hoodoo Records 263481, Soul Jam Records 600881, Tomato R2 71659, Union Square Music INTROTCD01, Vee‑Jay VJD 81058
Most of Hooker’s recordings for Vee-Jay were done in Bill Putnam’s newly built studio, Universal Recording Corporation, on 46 E. Walton Street in Chicago, with his ”#2-man”, Bernie Clapper, engineering (in studio 2). Hooker’s Vee-Jay ”contacts” were Jimmy Bracken, Ewart Abner and especially Calvin Carter, who also was the foremost producer. When Putnam in 1957 started his United Recording at Sunset Boulevard in Los Angeles, Clapper took the lead in Chicago.
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