Let's make it
Master
61-2210
Location/Date
Universal Recording Corporation
Chicago, IL, October 26 1961
Vee-Jay LP 1043
Lineup
John Lee Hooker, vcl/gtr; Joe Edward Hunter, pno; Hank Cosby, ts; Andrew 'Mike' Terry, baritonesax; Larry Veeder, gtr; James Jamerson, bs; Benny Benjamin, dms
Produced by
Calvin Carter
Chameleon D1‑74794, Charly CLYCAR 298, Craft Recordings CR00544, Diggers Factory MOR‑909, GNP Crescendo GNPS 2‑10007, Joy Records JOY 124, Not Now Music NOT3LP258, Trip TLX‑9504, Vee‑Jay DS 7007, Vee‑Jay LP 1043, Vinyl Passion VP80784 , Wax Love WLV82054, WaxTime 500 408738
CD
Acrobat ACQCD 7103, Avid Roots EMSC1208, Chameleon D2‑74794, Charly CD 170, Charly CDGR 298, Charly CR RED 6, Charly SNAJ 705, Collectables COL 0108, Craft Recordings CR00545, Documents 600258, GNP Crescendo GNPD 2‑0007, Hoodoo Records 263481, Not Now Music NOT2CD518, Soul Jam Records 600881, Soul Jam Records 600913, Soul Jam Records 806181, Tomato R2 71659, Union Square Music METRTN014, Vee‑Jay VJD 81043
Most of Hooker’s recordings for Vee-Jay were done in Bill Putnam’s newly built studio, Universal Recording Corporation, on 46 E. Walton Street in Chicago, with his ”#2-man”, Bernie Clapper, engineering (in studio 2). Hooker’s Vee-Jay ”contacts” were Jimmy Bracken, Ewart Abner and especially Calvin Carter, who also was the foremost producer. When Putnam in 1957 started his United Recording at Sunset Boulevard in Los Angeles, Clapper took the lead in Chicago.
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